(2009) Directed by Mamoru Hosoda; Written by Satoko Okudera: Original story by Mamoru Hosoda; Starring: Ryûnosuke Kamiki, Nanami Sakuraba, Mitsuki Tanimura, and Sumiko Fuji; Available on Blu-ray and DVD
Rating: ****
“This particular film revolves around one family, and the
issues I think that family has to deal with are probably relatable to issues
that face real families all over the world. That’s at the core of it; we
started out telling the story of a family.” – Mamoru Hosoda
There’s something about a summery setting in movies that
gets us (especially in the thick of winter, as of this writing) wistful about
long hot days, short nights, and sipping our favorite cool beverage while lazing
about. The reality, of course, is when we’re actually in the thick of it, it’s
often too hot and sweaty to endure, and (at least from my perspective), it just
makes me yearn for the reprieve that autumn brings. With Summer Wars,
filmmaker Mamoru Hosoda (The Girl Who Leapt Through Time, The Wolf
Children) recalls the idealized summer in our minds, with celebrations,
good food and great company, accompanied by the ubiquitous sound of cicadas* in
the countryside. Oh, and there’s this pesky AI that threatens the fate of the
world…
* Fun Fact #1: If there’s one sound that’s synonymous with summer
in Japan, it’s the humble cicada. There are 35 known species in Japan, each
with its unique call. You can find out more here (including sound clips).
Popular college student Natsuki Shinohara (Kazuma Ikezawa) offers
nerdy high schooler Kenji Koiso a unique opportunity to accompany her to her
house over the summer, in exchange for some easy money. Unfortunately for
Kenji, she doesn’t reveal the whole story. He learns, much to his horror, that she
wants him to pretend to be her boyfriend/fiancé. They arrive at her ancestral
home, to celebrate the 90th birthday of family matriarch Sakae
Jin'nôchi (Sumiko Fuji). In the first of many trials that await him, Kenji must
convince her grandmother and numerous family members that he’s the only one for
her. Soon, he has much bigger fish to fry when his identity is hijacked, and he
unwittingly enables the AI program “Love Machine” to take control of OZ, a vast
virtual complex. On the one hand, OZ is a social network and gaming mecca, but it
also controls worldwide commerce, finance and infrastructure. Suddenly, Kenji
is accused of being a criminal mastermind, and to add icing to the cake, Natsuki’s
ruse is revealed. An annoying prank becomes a dire harbinger of doom when Love
Machine takes control of a wayward space probe, potentially targeting one of the
world’s nuclear power plants. Now, he’s presented with a two-fold dilemma: patching
things up with Natsuki’s family and saving the Earth.
One of the joys of Summer Wars is its meticulous depiction
of Natsuki’s family.* While many of them would be little more than window
dressing in another film, Hosoda takes the time to introduce us to the various
members (30 individuals, according to Hosoda) and their idiosyncrasies. Sakae is
the heart and soul of the Jin'nôchi clan, strong-willed, passionate, and above
all, service-minded, with a strong sense of duty to her community. Even after
Kenji’s bluff is called, she sees something in him the others don’t see, as a
worthy companion for her granddaughter. Another key player is, Natsuki’s uncle,
Wabisuke Jin'nôchi (Ayumu Saitô), brash, impulsive, impudent, and the brilliant
creator of Love Machine. In his fight to help regain control of OZ, Kenji finds
an unlikely ally in Natsuki’s young cousin, Kazuma Ikezawa (Mitsuki Tanimura),
who leads a second virtual life under the avatar King Kazma, a badass martial
arts rabbit. Even the family’s beloved Shiba Inu, Hayate, gets his moment in
the sun. Hosoda somehow manages to keep the disparate elements of the family
drama and looming cyber-threat up in the air without crashing to the ground. The
overarching theme of loyalty under adversity defines how the family deals with
its inner conflicts and how they face the global crisis. Beside the positive
aspects of family, Hosoda masterfully captures the less than savory dynamics
that many of us can likely relate to, with cliques, shaky alliances, and petty animosities.
* Fun Fact #2: If you’re a trifle confused (and who wouldn’t
be?) about who’s who in the Jin'nôchi clan, there’s a handy fan wiki page,
which attempts to set the record straight.
Kenji, by far, demonstrates the most growth among the myriad
characters in the movie. When he arrives at the Jin'nôchi residence, he’s a fish
out of water, unable to measure up to the imaginary boyfriend that Natsuki fabricated
(based on her prototypical idol, Wabisuke). Poor Kenji, by contrast, is timid
and soft-spoken, and has never dated before. He’s far from helpless, however;
his superpower of sorts is his head for numbers, which enables him to decode
long sequences. It’s gratifying to watch him find his place, as he discovers
his own voice, teaming up with Natsuki’s family to battle a seemingly
unstoppable enemy.
The virtual world of OZ is colorful, immersive and bewildering, unrestricted by the boundaries
of the physical world. It’s easy to see how someone could become lost in this
alternate reality, where your avatar can be an idealized version of yourself,
and you can live out your fantasies. On the flip side, Summer Wars illustrates the perils of such an online arena, where we blindly put our
trust out in the ether, taking for granted our identities and information will
be safe. As intriguing as OZ’s online universe is, the film remains firmly
rooted in the real world (another movie from a lesser filmmaker might have
made Oz the primary focus). The family drama is front and center, so we can
appreciate how high the stakes are when they’re sucked into the mix. Visual
spectacle is something quite a few filmmakers can do well, but the ability to incorporate
believable characters you care about is in short supply. Managing to handle
both deftly is a talent few can match. Filled with stunning imagery and an
abundance of heart, Summer Wars is another winner to add to Mamoru Hosoda’s
impressive resume.
This is so not my genre, Berry but your review makes me think I could appreciate this film. 👍
ReplyDeleteI think you'd enjoy it, just for its depiction of family dynamics alone. ;)
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