"A monster is a distortion of something that has a
normal, non-threatening form. The monstrous form is threatening and disturbing
because it is beyond the pale of what we consider normality.” – David
Cronenberg
Some books are not meant to be read cover to cover, but
paged through at random, revealing a new surprise at every turn. Monsters
in the Movies – 100 Years of Cinematic Nightmares, by John Landis, is just such
a book. Landis is no stranger to monster
movies, having created the seminal hybrid comedy/horror flick An American Werewolf in London (watch
for my upcoming review). He’s also a
frequent contributor to the delightful web site Trailers from Hell,
providing snarky and insightful commentary for an eclectic assortment of movie
trailers. Although his recent directorial
efforts haven’t been quite up to snuff, he’s produced a book about monsters
that’s a joy to read.
This book is Landis’ love letter to movie monsters, past and
present. He traces film creatures from
their humble beginnings in silent cinema to the current crop of CGI beasties. Landis admits that his book was not intended
to be an exhaustive survey of movie monsters, referring to himself as an entertainer,
not a scholar. Because this isn’t a comprehensive
collection, you’ll probably find some of your favorite movie monsters
conspicuously missing. But it’s not
what’s missing, but what’s present that counts.
Browsing this book feels like you’re walking the halls of a movie
monster museum with hidden treasures in every corner. It’s wonderfully illustrated, with many rare
stills from collector-extraordinaire Bob Burns’ private collection.
Landis, a true Hollywood veteran, doesn’t simply languish in
the past. He takes a surprisingly
evenhanded approach to covering his subject across the decades, from the works
of Tod Browning to Peter Jackson. His emphasis
is clearly on classic horror, but the new stuff gets its day in the sun as
well. The pages are filled with an
intriguing assortment of film images, recollections, trivia tidbits and
opinions (he doesn’t mince words when he expresses his disdain for the Twilight vampires). The real gems, however, are the interviews
with several of his colleagues and idols, including Joe Dante, Christopher Lee,
Ray Harryhausen and Rick Baker. His dialogues
reflect a genuine respect for each individual, and read more like an informal
conversation with one of his friends than a hard-hitting interview. It’s great to hear each interviewee talk
about his respective influences, and the films that made the biggest impact (Island of Lost Souls pops up
frequently). It’s particularly enlightening
to observe how each individual provides a distinctly original definition of what
a monster is (my favorite quote is listed above).
Monsters in the Movies
– 100 Years of Cinematic Nightmares is the perfect guide to leaf through on
a lazy summer day (Oh, I suppose you could buy the ebook version, but where’s
the fun in that?). With its odd
assortment of vintage photos and Landis’ wry commentary, there’s enough to keep
ardent film fans and casual moviegoers entertained. I’m happy to report that this book has taken
up residence alongside my Psychotronic
guides and Marcus Hearn’s The Hammer
Story, as movie books worthy of repeated
browsing.
Rating: ****
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