I
hate rating movies. Don’t get me wrong, it’s a necessary evil, I suppose. It’s
what you’re supposed to do when you review films, right? It’s a thumbnail
sketch of my opinion, in easy-to-digest, minimal thought-inducing form. It’s
all you’d ever need to know. You don’t even need to read my review, right? But hold
your horses pardner; star ratings don’t tell the whole story.
Several
months ago (I’m not great with time, so this could have been more than a year
ago), I held a Twitter vote to gauge opinion about doing away with starred
ratings altogether. Much to my chagrin, but not necessarily surprise, voting
was skewed heavily in favor of keeping the dreaded system. I get it. I’m guilty
of the same damn thing. It’s a busy world with things to do, people to see and amusing
pet videos to ooh and aah at. It’s a whole lot easier to take something at a
glance before we move on to the next thing. In this society of diminished
attention spans and multiple distractions vying for our collective attentions,
we want to cut to the chase. Growing up in my family of origin, I was
constantly subjected to a skewed interpretation of movie reviews, as if “It was
rated a three” told me anything useful. A three? By whom? A great hand
descended from the heavens and dubbed the film a “three”? Nope, there was no
divine intervention, just good old fallible humans and a severely flawed rating
system from a local TV reviewer, newspaper, etc… But that one rating became my
family’s indisputable authority on whether something was worth watching. The
progression of this single-rating authority has been rating aggregate sites
like Rotten Tomatoes, Metacritic and IMDB. They do the thinking for us, despite
the fact not all reviewers are alike, nor does each critic necessarily evaluate
movies with the same criteria. As a result, there’s not much reliability or
validity to these scores.
Not
all ratings, including my own, are created equal. I chose the boring but venerable
5-star rating system, but whether you use numbers, stars, skulls, cute little aliens,
or whatever, it all amounts to the same. You’re quantifying a subjective thing.
What you see from me is a composite. The ratings I slap on my reviews are a
compromise between quality and watch-ability, all smooshed into one neat little
package. The ratings don’t mean much in terms of favorites, or a desire to
re-watch the movie multiple times. While Downfall
might get a high rating from me, one viewing is enough to last a lifetime, whereas
Island of Lost Souls merits repeat
viewings.
And
another thing. I’ll be the first to admit my ratings are not infallible, and
occasionally inconsistent. Maybe I was having a bad day, and the movie didn’t
click with me at that moment, or maybe I was sleepy, and couldn’t concentrate.
In the latter case, it wasn’t really boredom but fatigue that dictated a less
than glowing review. At their best (I’m using the word “best” loosely), however,
my reviews are like a mini courtroom in which I present the prosecution and the
defense, exploring the good and not-so-good aspects of the movie. I’m also
judge and jury, but so are you. Based on the testimony, perhaps you’ll arrive
at a different verdict. The star rating alone won’t lead you to any further
exploration
With
that in mind, let’s revisit my admittedly flawed ratings system:
*****
= It’s a masterpiece, right? But what’s a masterpiece, anyway? It’s all
relative, although I suppose the best answer is that these are movies that are
perfect to me. I wouldn’t want to change a thing with Alien, The Thing, Metropolis, Spirited Away, or Five Easy
Pieces.
****
= Many of my favorites reside here. Why four stars and not five? I’m a sucker
for imperfection. These titles might not be “perfect,” but that’s why they work
so well for me. Labyrinth, Phantasm, Eyes Without a Face, Gremlins,
and many, many others fall into this category.
***
= These movies have some wonderful and not-so-wonderful moments. Some had the
potential for greatness, while others had no such lofty pretensions, and are as
good as it gets. They teeter on the boundary between trash and treasure. Brain Damage, Ice Cream Man, Demons and Logan’s Run are some notable examples.
**
= It’s a mess, beyond repair. Something might have saved it, but I’m not sure
what that would be. I’m looking at you, Terror
Train and Young Einstein.
*
= As an optimist in pessimist’s clothing, I want to believe the best intentions
in a movie. Hating a movie isn’t inherently in me, which is why this might be
the rarest rating of all. This rating is reserved for titles with no redeeming
qualities, which offended me on a cellular level. Mac and Me has earned its rightful place here.
You
won’t find many one or five-star reviews, because most movies don’t fall in
this range. Contrary to many Netflix or Amazon user reviews (no offense
intended to those who evaluate movies on Netflix or Amazon, you’re all fine
people), most movies aren’t worthy of the loftiest praise or eternal damnation.
That’s why you’ll find the vast majority of my reviews fall within the two- to
four-star range. You’ll find three-and-a-half-star ratings most frequently on
my blog. It’s a sweet spot for me. In many instances the film’s reach might
have exceeded its grasp, but I was glad to go along for the ride. Taste the Blood of Dracula, The Blob, and Executive Koala are just a few examples. By far, my most misunderstood
rating is two and a half stars. These movies showed a lot of potential, and I might
even enjoy them in parts, but they have too many strikes against them. Dune, Demon Seed, and Hardware
are ones that I’m perennially on the fence about. Some titles might merit
re-evaluation from time to time. My opinion has remained relatively consistent
over the years, so it’s relatively rare when I reverse my opinion, but hey, it
happens.
So,
there you have it. The star ratings aren’t going away for now, but I don’t like
‘em, and don’t be too surprised if I eschew ratings altogether in a future
incarnation of this blog. My star ratings are not the final word on the subject.
If you enjoyed the movie more than I did, great. If you didn’t like it as much
as I did, or even hated it, that’s fine too. I’m pleased by those who have
chosen to visit and re-visit my blog for reviews, so I feel I’m doing something
right. But even I’m not delusional enough to believe that everyone agrees with
my opinions all the time. Oh, and please read my reviews in their entirety,
because starred ratings suck.
Wow, Barry, I never thought about how those little stars can cause such conflict!
ReplyDeleteThough, perhaps I knew and this is why I never thought about adding a rating to my sporadic reviews. Honestly, I doubt I will for any future reviews.
Also, I was expecting a post about the rstings system, such as PG and R. I have an issue or two with that flawed and confusing system.
I think you made the right call by leaving them off!
DeleteHmmm... That's another issue entirely, but I agree it's a messed up system. Have you ever seen the documentary "This Film is Not Yet Rated"? Fascinating stuff.
I suspect I need to see this film!!,
DeleteIn my world, I just don't bother commenting on average, uninteresting films. They go from great, to good and odd, to okay and weird, to terrible but still enjoyable [I tried that without all the commas; it doesn't work either way]. I rate from 0-4 stars, with plusses added for those more entertaining than their quality suggests. "The Abominable Dr. Phibes" is **1/2++ for example. I still have problems with "Birth of a Nation" - is it zero stars or four?
ReplyDeleteI've always said life is too short for ordinary films. Even though I'm not a big fan of quantifying a movie with ratings (obviously), I like your hybrid system. ...And you're on your own regarding "Birth of a Nation." One viewing could last a lifetime.
DeleteI have to confess I have a problem with rating movies too. My problem is that it really doesn't explain why I love or hate a particular film. I might give one film four stars because it has outstanding cinematography and another four stars because it has great performances from the actors. Ultimately, whatever I rate a movie doesn't have that much meaning! That having been said, I am guilty of rating movies without saying anything about them...
ReplyDeleteAbsolutely! I agree that movie ratings are generally meaningless, although I've also fallen into the trap of looking at the ratings alone. Star ratings become particularly meaningless when we consider that four stars from me might not mean the same thing as four stars from anyone else.
DeleteThanks for sharing this post retroactively, so to speak. I went through the very same conundrum when I was developing my blog. The problem as I see it with star or numeric ratings is that, while it is a basic indicator of how much the reviewer liked the thing in question, as you point out, it doesn't provide needed context unless, as you've done here, you provide the baseline -- "here's what I mean and here are some examples of things that are 4 star, 3, and so on."
ReplyDeleteSo I went instead with my Pros and Cons section at the beginning of the reviews, which still provides a quick overview of what's to like and what doesn't work. But of course it doesn't provide "closure" -- "so did you like it or not?" -- and it wouldn't fit into any sort of metascore system. The other decision I made early on was to emphasize the cheap, oddball films that hadn't got a lot of attention or love over the years. But I won't review completely irredeemable films, the ones that offend me on "a cellular level." (Good one! :) I always find something to like about the films I write about.
Whatever system you go with, it's the review itself that's the important thing, and I certainly hope that your visitors are treating themselves to your complete insights, as you are one of the very best!
Awww! Thank you very much, Brian! That really means a lot. :) I think you have a good system, which condenses the review into digestible chunks. I also think we're on the same wavelength, focusing on the the unloved setpchildren of cinema.
DeleteIf I had to do it all over again, I probably would have nixed the star ratings altogether, but I'm afraid I'm stuck with it at the moment. If I ever create a Cinematic Catharsis 2.0, or my book project ever gets off the ground, I definitely know what I won't be including. ;)