Rock ‘n’ Roll Nightmare

 

(1987) Directed by John Fasano; Written by Jon-Mikl Thor; Starring: Jon-Mikl Thor, Jillian Peri, Adam Fried, Teresa Simpson, Jesse D'Angelo; Available on Blu-ray and DVD. 

Rating: **½ 

“I am Triton, the archangel. You overstepped your line again, bub. It is the creator’s highest law that keeps you in your dark place, and yet you and your brethren still insist on coming into this world, trying to steal a place in the world of the living. When will you ever learn?” – John Triton (Jon-Mikl Thor) 

Can rock ‘n roll save the world? Considering rock’s impact in The Gate (1987) and Wild Zero (1999), signs point to yes. Submitted for your approval, is the one-and-only Jon-Mikl Thor (resembling Jareth from Labyrinth, if Jareth spent all his waking hours at Gold’s Gym),* whose cinematic exploits defy any conventional notions of sense. Director John Fasano shot the film in seven days around Markham, Ontario for $53,000 (Cdn), keeping costs down by hiring mostly friends and family members for the princely sum of $100 per head. If Fasano was the captain who kept the ship running, producer/star/writer/musician Thor was the admiral who handled everything else (well, in an Ed Wood sort of way, at least). The finished product was released as Rock ‘n’ Roll Nightmare** in the U.S. and Canada, and The Edge of Hell in the rest of the world.  

* Fun Fact #1: According to Thor, his onstage theatrics were heavily influenced by glam artists Alice Cooper, Kiss, and (you guessed it) David Bowie.  

** Fun Fact #2: The film’s original title was Archangel.

The film opens in a secluded Canadian farmhouse, depicting a family succumbing to demonic possession. Years (or months?) later, John Triton (Jon-Mikl Thor) and his pals (“The Tritonz”) visit said farmhouse to record their new album. The motley group (not to be confused with Mötley Crüe), includes their obnoxious manager Phil (Adam Fried) who resembles Duckie from Pretty in Pink, and Stig (Jim Cirile), an “Australian” drummer, who’s about as Australian as an Outback steakhouse. But something in the house has other plans for its new occupants. Wouldn’t you know it? One by one, they become possessed by the same evil forces introduced in the beginning. Soon, only Triton stands between all that’s good and the earth being dominated by satanic powers.

Every song by the Tritonz is an emphatic statement, starting with the bold proclamation, “We Live to Rock.” Triton follows up this thoughtful sentiment with "Energy,” reaching a zenith with the climactic “The Challenge.” Who needs a Greek chorus when you have Jon-Mikl Thor? When we’re not being pummeled by rock anthems, Rock ‘n’ Roll Nightmare is peppered with awkward love scenes, presumably to pad out the film’s running time,* and justify the “R” rating (take away the filler, and it probably wouldn’t run more than 60 minutes). 

* Fun Fact #3: Speaking of padding, Fasano admitted that the run time was a bit short, hence the opening, overlong scene with Triton and bandmates driving in a van.

The lo-fi effects, many by director Fasano himself, add a special charm to the proceedings. A bunch of phallic critters* scuttle around the house, peeping on the band members and hocking loogies in drinks. A roast chicken suddenly becomes animate, taking over the fridge, and rubber starfish creatures fly at Triton (okay, they’re thrown from offscreen) while he clutches them to his chest, to sell the illusion that they’re sucking his life essence. But these are mere warm-up for the film’s pièce de resistance, a climactic battle with a fearsome demon. 

* Fun Fact #4: The (ahem) one-eyed monsters were called “Gibsons,” after their creature designer, John Gibson.

The movie’s last-minute plot twist is frosting on one weird cake (SPOILER: Triton is an interdimensional superhero and his bandmates were merely an illusion “created” by him to deceive the Evil One. Right…). When the big baddie finally appears, Triton, sporting metal-studded underoos and a cape (What else would you wear to fight a demon?), identifies himself as the “Intercessor” (whatever that is). Summoning superhuman powers, he engages in a mano y mano battle with the head demon. The scene is supposed to represent a life-or-death struggle with ultimate evil, but it just looks like he’s either dancing with the puppet, or preventing it from toppling over.*   

* Fun Fact #5: Signs point to the latter explanation. According to director/creature designer John Fasano, the unwieldly 70-pound fiberglass puppet was particularly top heavy.   

Some bad movies are simply bad viewing experiences. Thankfully, this is the kind of bad movie that lives to entertain (Or should I say, lives to rock?). So, is it a flick about a nightmare infused with rock ‘n roll music, or is the music simply nightmarish? You be the judge. Rock ‘n’ Roll Nightmare is meant to be watched with friends (or unsuspecting loved ones), complemented by your favorite adult refreshments. This may not be a Carl Theodor Dreyer movie, but then again, did The Passion of Joan of Arc feature the acting chops of Mr. Thor, overblown hair band music, and barely articulated rubber monsters? I think not. 

 

Source for this article: DVD commentary by John Fasano and Jon-Mikl Thor; 2005 featurette, “Revelations of a Rock ‘N Roll Warrior”