The Wall (aka: Die Wand) (2012) This contemplative
mood piece from writer/director Julian Pölsler, based on a novel by Marlen
Haushofer, concerns a woman (Martina Gedeck, in an affecting performance) who
suddenly becomes cut off from the rest of the world by an invisible wall. We never learn how or why the wall originated,
but her narration chronicles the pragmatic and psychological concerns about her
day to day existence, alone in the Austrian wilderness. Along with her animal companions, she must rely
on her wits and fortitude to survive.
The wall itself serves as a metaphor for her mental and physical
isolation. As the days and months wear
on, and she arrives at the conclusion that no help is available, she must
confront the harsh realities of her survival.
The Wall doesn’t dwell on idle
speculation, but chooses to keep us shrouded in a mystery with no
solution.
Rating: ****.
Available on DVD and Netflix Streaming.
Bettie Page Reveals
All (2012) Bettie Page, who passed away in 2008, provides the narration to
a documentary about her rise and fall as a ‘50s pinup model and rebirth as a
latter-day counter-culture pop icon.
Told through photos (the older Page is heard, but not seen) and
interviews with artists, models and friends, Bettie Page Reveals All is an amusing, informative and touching
portrait. Filmmaker Mark Mori takes a
balanced approach, counterbalancing Page’s own words with first-hand accounts
from the people who knew her best. We
learn about her seven-year stint as a photographic model, as well as her
history of sexual abuse, failed marriages, legal troubles and mental illness. The
film also explores one of the most curious aspects about Page, as a woman with strong
religious conviction, but a relaxed attitude about nudity and sexuality. Even with the inclusion of so many
biographical details, it still seems as if there were some missing pieces from
her life story, but it’s probably as complete as we’re going to get. It’s a fascinating profile that should
satisfy Bettie Page enthusiasts, as well as anyone wondering what all the fuss
was about.
Rating: ****.
Available on Blu-ray, DVD and Netflix Streaming.
Jodorowsky’s Dune
(2013) Frank Pavich’s documentary is a big “what if,” covering filmmaker Alejandro
Jodorowsky’s failed attempt to bring Frank Herbert’s seminal science fiction
novel Dune to the big screen in 1975. The 84-year-old Jodorowsky is incredibly
lucid and energetic as he recounts his travails to create something that would
have been a truly mind-blowing experience.
Every aspect of the film would have been larger than life, with a cast
that included Orson Welles, Salvador Dali and Mick Jagger. In addition to music by Pink Floyd, artists
H.R. Giger, Jean “Moebius” Giraud and Brian Foss were brought onboard, with Dan
O’Bannon providing special effects. Despite
this impressive assembly of talent, short-sighted Hollywood studios were
reluctant to back the French production.
Much has been said about how this version of Dune would have been the greatest science fiction film of all time,
but I’m unconvinced that the production, if it ever received the green light,
wouldn’t have imploded under the collection of massive egos involved in the
film. What ultimately could have been, the
world will never know.
Rating: ****.
Available on Blu-ray and DVD
Gentlemen Broncos
(2009) ”Polarizing” is probably the best way to describe director/co-writer
Jared Hess’ train wreck of a movie, which appears to be set in the same
alternate-reality ‘80s universe as (his better film) Napoleon Dynamite. The basic
story involves teenager Benjamin (Michael Angarano), who attends a camp for
young writers, only to have his science fiction novel plagiarized by his
literary idol Chevalier (Jemaine Clement). Surrounding this central hub are several
sub-plots, involving Benjamin’s fashion designer mother, a pseudo-father
figure, and an inept filmmaker. Generally,
I enjoy films that depict unconventional individuals, but in this case a little
restraint would have gone a long way. In
a film that feels burdened by an overload of quirky characters. In its eagerness to please, Gentlemen Broncos borders on contempt
for the subject matter, choosing to have us laugh at, not with, the characters,
and taking a condescending approach to the science fiction genre. The movie is not without its fleeting charms,
however, especially when we witness a couple inspired iterations of Benjamin’s protagonist
Bronco (Sam Rockwell) fighting mutants in a post-apocalyptic wasteland. Angarano is also good as the young writer –
the only character who doesn’t seem contrived.
These moments elevate the film enough to give it a mild pass.
Rating: ***.
Available on Blu-ray and DVD
Very cool list of movies you have there Barry. That "Jordowsky's Dune" has got my interest. Even though I can't really say for sure whose version would have been better. I would have loved to see "Lynch's Star Wars" which would tell David Lynch's version of "Return of The Jedi"( Lynch was asked to direct that movie but dropped out to to make "Dune" instead) The Wall looks like an interesting acting peice but not a good title. That Bette Page Doc looks interesting
ReplyDeleteThanks for stopping by, Vern. I highly recommend the top three films - all very different. I agree that "The Wall" isn't a particularly compelling title. It almost slipped by my radar.
DeleteKeep on top of those documentaries for me, Barry! I watched Jodorowsky's Dune a couple of weeks ago, but I haven't seen Betty Page Reveals All. I think you're right that Jodorowsky's version of Dune would have been a massive, fascinating clusterf**k. While we're talking about movies that could've been, how about David Cronenberg directing Total Recall? I would give me left nut to see that.
ReplyDeleteThanks Brandon! Glad you liked Jodorowsky's Dune. Bettie Page Reveals All was great too.
DeleteDidn't know that bit of trivia about David Cronenberg. What a difference that would have made. Ah, to dream...