Sunday, September 8, 2013

Broken Blossoms




(1919) Directed by: D.W. Griffith; Written by  Thomas Burke; Adapted from a story by D.W. Griffith; Based on a short story by Thomas Burke; Starring: Lillian Gish, Richard Barthelmess and Donald Crisp
Available on DVD and Netflix Streaming

Rating: ****

“Well, when I came to play the scene in front of the camera, I did it as I planned – spinning and screaming terribly...When we finished, Mr. Griffith was very pale.” – Lillian Gish (on her climactic closet scene – excerpt from Lillian Gish: A Life on Stage and Screen, by Stuart Oderman)

Today’s post covers two events in one!  Although I planned Silent September almost a year ago, I just recently learned about the Gish Sisters Blogathon, and instantly knew I had to participate.  Special thanks go out to Fritzi at Movies, Silently and Lindsey at The Motion Pictures for hosting this blogathon and letting me join the party.  While I don’t profess to be an expert on Lillian or Dorothy Gish, stepping outside my cinematic comfort zone is what my blog (and especially this theme month) is all about. 


Compared to Griffith's earlier features Birth of a Nation and Intolerance, Broken Blossoms is decidedly less epic in scope, but no less noteworthy.  Similar to the controversy surrounding the first film, the specter of racism raises its ugly head with Broken Blossoms (aka: The Yellow Man and the Girl).  It’s easy to ridicule the film as an artifact from a less enlightened time, and it’s just as easy to side-step the issue entirely, with the usual argument: “It was from a more innocent time when institutionalized racism was the norm in the film industry.”  While neither stance is invalid, adopting either point of view exclusively is to deny the film’s formidable virtues, along with decades of movie history, where racial insensitivity was an unfortunate byproduct.  It’s important to point out that Broken Blossoms, in its own well-intentioned way, contends with topics of racism, the clash of Eastern and Western cultures and xenophobia.


Lillian Gish is captivating in her role as Lucy, and is arguably the best reason to watch Broken Blossoms.  Her character was changed from 12 years old to 15 (Gish was 26 at the time), with silk placed over the camera lens to soften her facial features.  Gish masterfully conveys a combination of innocence and anguish, as someone who is conditioned to expect the worst, and is rarely disappointed.    In one of the film’s most memorable scenes, Lucy locks herself away in a closet, screaming uncontrollably at the fate that awaits her outside the door.  I felt myself cringe as she pulled away from her sadistic father (Donald Crisp), helpless to avoid the inevitable beating.


Richard Barthelmess plays Cheng Huan (listed in the credits as “The Yellow Man”) an opium-smoking shop owner, who takes in the battered Lucy and helps aid her recovery.  Barthelmess' character, as portrayed in the film, is significantly older than the 15-year-old boy dictated by the original story.  The age disparity between Cheng Huan and Lucy creates some uneasy implications, but it’s never fully explored.  Barthelmess’ character is probably the most difficult for modern audiences to accept, but it’s important to keep perspective.  In an age when it was standard practice for a Caucasian actor to play non-Caucasian roles, the opportunity for an actor of Asian descent to play the lead role simply didn't exist.  What stands out is his compassion for Lucy – he’s the only person in her short life that ever demonstrated kindness toward her.  It’s no surprise that nothing good will result from their chaste relationship, which is doomed from the start. 


Crisp is genuinely frightening as Battling Burrows, Lucy’s father.  He’s a boxer with a short fuse, who routinely takes out his anger on the closest individual to him, namely his daughter.  You can feel the tension rise in their scenes together.  Even when he doesn't lay a finger on her, the feeling of unease is palpable.  At any given moment, he's one step away from violence.


In contrast to the epic scope of some of Griffith’s previous efforts, Broken Blossoms is presented simply.  The set pieces are relatively spare and confining, but used to great effect.  Like Lucy, we feel trapped in this little borough, set in the Limehouse district of London.  Griffith utilizes rose, yellow and blue tinting to further set the mood.


In her book, Romance and the “Yellow Peril,” Gina Marchetti discusses Lucy’s pathetic life of abuse at the hands of her father.  She explores themes of implied pedophilia and incest in the film, and suggests less than noble intentions from Cheng Huan.  While Marchetti presents a strong argument, it ultimately dilutes the power of the central story, and dismisses Gish’s stellar performance.  It’s easy to feel conflicted, due to the cognitive dissonance generated by the more unsavory aspects of the film, which perpetuate a naïve, simplistic view of Chinese society.  By the same token, it’s impossible to deny that Griffith was a gifted filmmaker, who created a beautiful, tragic piece of art, propelled by the strength of the story and the talent of his performers. 

12 comments:

  1. Good analysis of a great movie. You're right that there is much to be conflicted about, but that conflict is part of what makes it powerful. Thank you for sharing your thoughts.

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    1. Thanks for stopping by, Joe! Considering the subject matter, and the prevailing xenophobia of the time, I was a bit skeptical, but I was glad to finally see the film. I agree that "powerful" is an appropriate adjective to describe this important film.

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  2. Hi there! Thanks for the thoughtful review of this oft-misunderstood film. Lillian Gish's emotional performance was the one most often mentioned by her fellow silent stars as "the one to try to top" Thanks also for addressing the questions of racism and underage romance head-on. Splendid work and thanks for participating!

    Fritzi
    Movies Silently

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    1. My pleasure, Fritzi! I don't think I could have made a better choice for this blogathon.

      It was tough walking the line between admiration for Broken Blossoms' many strengths, and acknowledgement of its faults. I'm happy you liked my "warts and all" approach.

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  3. It seems that Griffith made changes in the book for better. The Yellow Man is a more likable characater and his love for Lucy is something almost spiritual. I liked this film very much, and thought the closet scene to be extremelly thrilling.
    Don't forget to read my contribution to the blogathon! :)
    Greetings!

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    1. Thanks for sharing your thoughts, Lê. I agree that the closet scene was very thrilling (and difficult) to watch. Looking forward to reading your post!

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  4. Very nice write-up and thanks for sharing all the conflicting emotions that come into play. This film gets better every time I see it and I've seen it at least 4 times. I find I pick up on new things and there's a lot going on.

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    1. Thanks Jon! There's definitely a reason this film has withstood the test of time, faults aside.

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  5. Great review Barry! I have an admiration of this film by pioneer Griffith.
    It's funny because I'm planning a piece presenting some films that needs to be seen and it is the one I choose for Griffith just yesterday.

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    1. Thanks, Michaël. I almost dreaded watching this film because it was so highly regarded, but in this case, its stellar reputation was well earned.

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  6. Apart from the idea of pedophilia (she's 15, not 12 - 15 is a relatively accepted age of consent in many parts of the world, including Western Europe), I generally agree with your review.

    The idea of incest seems to be mostly based on either subtext (the act of telling her to smile forcefully) or our perceptions. The thought crossed my mind, that's for sure.

    Loved this movie (just rewatched it a couple of hours ago). The closet scene and her death scene always makes feel teary-eyed.

    I wonder if a remake of this (with some obvious adjustments, like the Yellowface and other stereotypes) would work today. There are many themes and angles people could work with.

    Good review. Keep up the good work :)

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  7. Thanks so much! I appreciate your perspective on Broken Blossoms. Although I'm not a big fan of remakes, I agree that it's an intriguing prospect for this material. Perhaps there's an intrepid filmmaker out there, somewhere, who's willing to give it a shot.

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