Monday, July 26, 2021

Viy

 

Viy Poster

(1967) Directed by: Konstantin Ershov and Georgiy Kropachyov; Written by Konstantin Ershov, Georgiy Kropachyov and Aleksandr Ptushko; Based on the story by Nikolay Gogol; Starring: Leonid Kuravlyov, Natalya Varley, Aleksey Glazyrin, Vadim Zakharchenko and Pyotr Vesklyarov; Available on Blu-ray, DVD and Shudder 

Rating: **** 

“A curse upon you! With the wings of a bat! With the blood of a serpent! I shall curse you!”

 Pannochka (Natalya Varley) 

Note: The following review is an expanded version of a capsule review from December 2016. 

Demons in the chapel

Although fantasy and science fiction films enjoyed their place in the former Soviet Union, the horror genre didn’t fare nearly as well. Viy (aka: Viy or Spirit of Evil) is often touted as the “first” Soviet-era horror film (admittedly, what does and doesn’t constitute horror is up for debate), and in the absence of other salient examples, it’s difficult to dispute this claim. While it’s clear that subjects of a supernatural bias were discouraged, I’m not quite ready to accept that this was the only horror movie to be released between 1922 and 1967. Nevertheless, evidence to the contrary has yet to surface. Viy was based on an 1835 short story by noted Ukrainian author Nikolai Gogol. The original novella professes to be derived from Ukrainian folklore, but whether or not it was entirely concocted by Gogol remains open for debate.

Khoma and the witch

In the opening scene, set in a Kiev-based seminary, the stern rector dismisses his students for a holiday break. Khoma (Leonid Kuravlyov) and two of his fellow students promptly take to the countryside for some fun and mischief (much to the chagrin of their schoolmaster). Before long, tired and weary from their travels, they seek shelter at in a farmhouse owned by a withered old woman (Nikolay Kutuzov). She reluctantly puts them up for the night, insisting that Khoma sleep in the stable. Things take a bizarre turn when she singles him out, hopping upon his shoulders and revealing her true nature as a witch. After soaring over the fields, they return to earth. He beats her with a stick, leaving her for dead, but a second glance reveals not an old crone, but a young woman. Puzzled and disturbed, Khoma returns to the rectory, only to learn that the headmaster has received an unusual request – he alone must hold a three-day prayer vigil for a wealthy Cossack’s recently deceased daughter, Pannochka. Now, Khoma and the witch are inextricably entwined.

Khoma and Pannochka

Leonid Kuravlyov is a hoot in his manically comic performance as our perpetually bewildered protagonist, Khoma.* Far from the most diligent student at his rectory, he’s more concerned with food, drink and revelry than spiritual enlightenment. He tries to do everything he can to weasel out of his obligation to the Cossack patriarch, but the promise of a thousand gold pieces or a thousand lashes (if he disobeys) sways his decision. Each successive day of the vigil takes its toll on Khoma, while he’s locked away in the chapel, repeating his mantra, “A Cossack is never afraid of anything.” Meanwhile, his mental and physical state continue to erode as he endeavors to keep the evil spirits at bay and contend with a corpse that refuses to remain still. 

* Khoma’s tentative demeanor reminded me of another literary character, Ichabod Crane. Although I’m not sure if Gogol was aware of Washington Irving’s story (published in 1820), its main character could be a spiritual predecessor.

Pannochka

All eyes are on Natalya Varley as the not-so-deceased, Pannochka. With her long dark hair and pallid complexion, she resembles the Iron Curtain’s answer to Luna (from Mark of the Vampire) or Morticia Addams. She speaks very few lines, but makes them sting, proving, hell hath no fury like a witch scorned. Varley takes charge in every scene she’s in, dominating the scenery with her frenzied, hypnotic stare.

Demons in the chapel

The visuals of Viy benefited greatly through the efforts of fantasy filmmaker Aleksandr Ptushko (Sadko, Ilya Muromets), who provided the art direction and effects. Gogol’s story was vague in the details about Khoma’s climactic confrontation with evil. The filmmakers, however, gleefully fill in the blanks, delivering some genuinely unnerving moments when the forces of darkness are unleashed in the chapel. It’s a dazzling display, brought to life through dynamic, swirling POV shots, as all manner of things that go bump in the night descend upon poor Khoma. Demons scuttle down the walls and skeletons dance about, culminating in the appearance of Viy, a stocky demon with giant eyelids, concealing a gaze that can kill. The final, visually dense sequence, is a treat for the eyes, providing more than can be taken in with one viewing.

Pannochka Riding a Coffin

Viy enchants and entertains, with its tantalizing mixture of comedy and the macabre. This faithful adaptation of Gogol’s story must have been a tough sell for the staid sensibilities of the prevailing regime, but it’s a testament to the persistence of Ptushko and co-directors Konstantin Ershov and Georgiy Kropachyov that their vision made it to Soviet theaters. Whether it was truly the first horror film or not, Viy remains an important landmark in Russian cinematic history, when films of the uncanny were such a scarce commodity. Its robust imagery and themes make it a force to be reckoned with, and no discerning fan of horror should consider his or her education complete without giving this a look. 

8 comments:

  1. I am much more familiar with the superb science fiction films from the Soviet era, and didn't realize this even existed. Looks like a must see for the visuals alone. Nice to see it's available on Shudder!

    ReplyDelete
    Replies
    1. It's a visual treat (and a load of fun, too!). I hope you enjoy it.

      P.S., Apparently, it's available on Tubi as well. It's great to see that it's so readily available now, after being difficult to find for a number of years.

      Delete
  2. Great review, Barry! I have never heard of this film and I am very curious. until you mentioned it, I am familiar with Russian sci-fi, but not horror. Guess there's a reason, but I also have trouble believing that's the only horror film released in that large swath of decades. Surely there are other examples buried in the Kremlin vaults

    ReplyDelete
    Replies
    1. Thanks, John! I think you'd really like it (especially the final 20 minutes). I tried search after search for more Soviet horror, pre-1967, but to no avail. As you said, however, who knows what they have locked away, hidden from prying Western eyes.

      P.S., This movie is available dubbed, as well as subbed. I've been told it's also available on Tubi, but I don't now which version.

      Delete
  3. I've never heard of this, but it sounds great--I'll have to look for it. Great review, Barry!

    ReplyDelete
    Replies
    1. Thanks, Rebecca! It's a feast for the eyes (especially the final sequence). Let me know what you think if you see it! :)

      Delete
  4. I only watched Viy for the first time last year. I enjoy the simple creature effects and agree with you that Natalya Varley is mesmerizing as the witch. There isn't a lot of story but it is worth watching for the atmosphere. Reading your review makes me want to hunt it down for a rewatch.

    ReplyDelete
    Replies
    1. There's not a whole of story in the original story, either. Most of the descriptions of the various demons are left to the reader's imagination, so I give kudos to the filmmakers for their imaginative interpretation. Varley is wonderful, as well. :)

      Delete